Granny's Bonnet (Aquilegia)

from £50.00

Prints are available in large, medium or small. Printed on Titanium Lustre Metallic paper (280gsm silver resin coated base) using LUCIA PRO II pigment inks for stunning archival quality. The paper has a beautiful metallic sheen to it which makes the images shimmer under light.

Print & Frame dimensions:

Large: Print: 50×50cm . Frame: Width: 52 cm, Height: 6 cm, Length: 52 cm, Weight: 2.09 kg

Medium: Print: 35×35cm . Frame: Width: 37 cm, Height: 6 cm, Length: 37 cm, Weight: 1.22 kg

Small: Print: 25×25cm . Frame: Width: 27 cm, Height: 6 cm, Length: 27cm, Weight: 0.85 kg

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Prints are available in large, medium or small. Printed on Titanium Lustre Metallic paper (280gsm silver resin coated base) using LUCIA PRO II pigment inks for stunning archival quality. The paper has a beautiful metallic sheen to it which makes the images shimmer under light.

Print & Frame dimensions:

Large: Print: 50×50cm . Frame: Width: 52 cm, Height: 6 cm, Length: 52 cm, Weight: 2.09 kg

Medium: Print: 35×35cm . Frame: Width: 37 cm, Height: 6 cm, Length: 37 cm, Weight: 1.22 kg

Small: Print: 25×25cm . Frame: Width: 27 cm, Height: 6 cm, Length: 27cm, Weight: 0.85 kg

Prints are available in large, medium or small. Printed on Titanium Lustre Metallic paper (280gsm silver resin coated base) using LUCIA PRO II pigment inks for stunning archival quality. The paper has a beautiful metallic sheen to it which makes the images shimmer under light.

Print & Frame dimensions:

Large: Print: 50×50cm . Frame: Width: 52 cm, Height: 6 cm, Length: 52 cm, Weight: 2.09 kg

Medium: Print: 35×35cm . Frame: Width: 37 cm, Height: 6 cm, Length: 37 cm, Weight: 1.22 kg

Small: Print: 25×25cm . Frame: Width: 27 cm, Height: 6 cm, Length: 27cm, Weight: 0.85 kg

Granny's Bonnet (Aquilegia) appears in these post-industrial spaces like living memories of miners' cottage gardens, its delicate spurred flowers nodding in winds that once carried coal dust. Through my macro lens, each bloom becomes an architectural marvel of curves and hollows - their complex form evolved to welcome long-tongued pollinators into their nectar-rich chambers. These flowers tell stories of cultural as well as ecological recovery: escaped from the gardens where mining families once cultivated beauty alongside their vegetables, they now self-seed freely across recovering land. Their very presence maps the overlap between domestic and wild space, between human history and natural reclamation. The common name, Granny's Bonnet, echoes the intergenerational knowledge of mining communities - of grandmothers who passed down both plants and practices, who knew how to create beauty in the shadow of industry. Now these flowers, like the memories of those garden-tending people, spread their legacy across former colliery land, their seeds carrying both genetic and cultural information into future landscapes.